I promised ecstasy and I did not disappoint. Rosalia This month I started recording the fourth disc, mystical “lux”in Lyon (France), where the Catalans returned to the public with an eclectic journey that was at moments as theatrical as a ballet and as unrestrained as an electronic party in an abandoned church.
With the orchestra located in the heart of the LDLC Arena stage, the enclosure for about 15,000 people turned up for the concert sin haber sufrido ningún ‘spoiler’.
The artist kept a close eye on the stage door until the last second of the performance, when one of the Madeira players came to her team with a huge white box.
From her Rosalía rose, as a fragile girl dressed as a dancer who hopes to be seen, with ballet tutus and zapatillas, to really start the beginning of the concert in the same way as ‘Lux’: ‘Sexo, violencia y llantas’ and ‘Reliquia’.
We dance on our punteras, ballet was the conductor of the first themesalso all songs from his latest album, just turned the mood into something more lyrical with ‘Mio Cristo Piange Diamanti’, from which Rosalia I changed everything for a while was turned into a Maria Callas song.
Before this most delicate start, the ‘shock’ ended with a Wagnerian ‘Berghain’, where he appeared with a demonic heart, black plumes, toying with a remembered version of the first single from ‘Lux’, which ends in a numbing ‘rave’.
Space for ‘Motomami’
The protagonist of the album on tour only stepped back to leave another piece of land to give way to the other successes of his discography, especially his protagonist ‘Motomami’, whose impezando ‘Saoko’ continued to feed the party.
With ‘Fame’ and the public you entertained, Rosalía noted that she performed for the first time in LyonDuring the show, the urban rhythms of themes such as “La Combi Versace” alternated with louder sounds that embodied themes such as “De madrugá” or “El redentor”.
It was also time to surprise with a version, the “I can’t take my eyes off you” version, where Rosalía first appeared carved at the top of the staircase like the Mona Lisa in the Louvre, being photographed by strangers, only to parade before them like a Hollywood star.
Rosalia, confessor
One of those anonymous admirers, he said, asked her to accompany her to a friend, where the Spanish star asked her to confess her sins. He told her the urge that led her to find out what interested him.
“What you encountered was what is called a pearl.he chose Rosalía for them to give way to the eponymous theme of his last album.
In “Sauvignon blanc”, I honored the title of the song by drinking a glass of white wine, drunk at the piano, before giving way to his melody in one of the most magical moments of the night, covered in brillo and accompanied by hundreds of internal films that were lit in stages.
Rosalía (San Esteban Sasroviras, 1992) has just left to mingle with mortals for a rendition of ‘God is a Stalker’, walking through the fans – plenty of white for the occasion and even with dark crowns in her hair – she has to go to the middle of the enclosure to sit in the middle of the Heritage Orchestra that accompanied her at her recent BRIT Awards performance.
Allí en pie, like the beating heart of the pabellon, I asked myself to interpret “Rumba Forgiveness” and “CUUUUuuuuute”, a download that turned this place into an electronic ‘rave’ once againprimarily to finance with a version of Marilyn Manson’s ‘Sweet Dreams (Are Made of This)’.
Sin Bad Bunny sang ‘La noche de anoche’ in a more romantic and dramatic version of the original orchestra, before giving way to the excitement of ‘Bizcochito’ and ‘Despechá’ which began to mark the end of the night.
No embargo ‘Novia robot’ and ‘Focu ‘ranni’ closed the show to make it clear that it was a ‘Lux’ night, but the second to distract the public was the impressive “magnolias”with her alone over the script to climax ecstasy.
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