Julian Quiros. Toast, a man facing corrupt politics

Literature consists, we analyze from the most essential point of view, in the expression of beauty and thinking through the mouth. It provokes the reader pure, immediate and unbiased pleasure. This pleasure was heard in sixteenth-century Spain mainly through poetry; in the 17th century through the theater; in the XVIII century, across thought; in the XIX century through the novel and in the XX century through periodism.

Within the scope of periodical expression, the most requested genres of literary expression are article, chronicle, criticism and obituary.

Julián Quirós was in front of the journalist. A great journalistof course, in a time that breaks away from many of the old patterns of conventional periodism. Quirós is also a remarkable poet. En Pérdidas y ganancias Hierve the clear skin of the wife and desire turns into a celebration that brings broken love. As the poet looks at others, he contemplates the darkness of corrupt days, the vegetable dance of holidays in the tree of melancholy.

The darkness of solitude, Julián Quirós comes to the fore write poetry that escapes digital connections. Armed only with a packet of last verses, he publishes a book, Before we google our chanceface the electronic tsunami. Go through the first digital browsers and find out the previous steps from the Google César you are reading.

Quiros has repaired the ceilings of the building where the novel is set and shows a mastery of writing in the great dialogues.

Journalist and poet, Julián Quirós drop in now with The last toast (Harper Collins) in the world of fiction. According to Juan Manuel de Prado, the writer who spearheads the Spanish novel, it is a “magnificent zambullida in the tumult of power”.

Quirós firmly fixed the elements of the building where the new building is located. He delved into the psychology of the characters that built the relationship. Demoustra su dominio de la writing literaria en los splendidos diálogos de Toast. If they end up expressing their characters in appropriate language, their true characters are hard to hide in fiction. He engages the reader from the first page to the last, writing and discussing “a story of collective despondency with its many victims.”

Julián Quirós refreshes the reader’s thoughts it has a sour and glossy appearance companies that form an autonomous community. Here we see an embittered and recently prosecuted president; the eccentric, deeply innocent mayor, hounded to the point of distortion and death by political rivals; many characters in all social situations, and also the director of a periodical, which many readers will identify with the author, who said without embargo: “Elbes most likes what he quotes from Montanelli, to whom I say: never take seriously again what saved my office”. No, I was bored. Indro uttered this line, but he certainly practiced it throughout his professional life. It was stronger than a man.

The main and secondary characters finally appear in Julian Quirós’ novel descarna over the holidays and envyiasabout corruption, which is endemic in all cases of pluralistic democracies of old Europe.

The novelist overcomes the temptation of corruption and describes the cheerful vanity of women and men as they sporadically occupy the burden of power. Here is the novella de Quirós over melancholic politicians “and above the blue echo of your buildings” as the author’s writing brings tears to life.

Mario Vargas Llosa believed that a great novel is one that reveals a deep moral problem and does not solve it. Please tell a reader who likes this. A novel by Julian Quirós, que It doesn’t look like the first novelno resolve nada. The reader is struck by disturbing images of power, envy and corruption. No joy, no good, no bad. If you limit yourself to witnessing social reality. The carnicería of his words embodies the oquedad of blunt politicians and chases the wings of power.