Once a foreigner, Nathy Peluso (Argentina, 1995) knew she was about to triumph. Clarity, intuition or just a lot of thinking. Argentinian artist, man one of the biggest names in Latin musicmake sure it will work to achieve what you want. “Still I recommend it all, I’m always asking you more,” he sang in “Corleone,” the song he set for the final concert of his tour. Grasa at the Movistar Arena in Madrid.
Peluso peaked in the capital with the release of his third album, released in 2024, and the man who had been giving the title to the world for two years before the public supporter who crowned him after his first performance put him in a fix. jersey black and white to shoot.
“Let’s learn to love you, forever” was the first time. The song “Learning to Love” seemed like a record for a young girl trying to make up her mind in 2018. haters: “La gorda está triumphando, mam.” What to say is the universe Grasagalardonado with three Latin Grammys, es carnal and proud celebration of one of life’s greatest pleasures: comida, or in this case milanesa.
Nathy Peluso at her concert at the Movistar Arena.
It is no coincidence that the first act of the concert bears the title “Truth of the Milanese”, from which it is articulated show peliculero, including Tarantino, divided into four parts and by agreement with His passion for salsa and his imagination of melodrama, crime and excess.
What is certain is that the Madrid concert was hardly different from what he offered the previous days at the Palau Sant Jordi. And it is in his meteoric rise, Peluso incidentally lost some of the naturalness that characterized him in his early days – with the magnetic EP Esmeralda (2017) Sandunguera (2018) –and this direct so many millimeters will place it there same league of great pop divasDua Lipa or Rosalía.
Importantly, the Argentine singer, juguetona, sandunguera and camaleónicacontinue to defend its authenticity and demonstrate it in the script. He puts them to work, sings in “Business Woman” and gets noticed. With a two-tone look and spirit, like Bowie, Peluso is constantly changing clothes, and that’s how he walks around the Movistar Arena. It’s a jefa bossya gangster (“Mafiosa”), a pecador (“Ateo”), a little girl (in collaboration coreadísima with Bizarrap) and an old-school diva salsera.
This most Caribbean vein, born from his passion for Fania All-Stars, Celia Cruz and Gloria Estefan, is very present in the EP. Badly worn (2025), which practically touched all their songs: “A caballo”, “Insensata”, “Que lluevan flores”, “Malportada”, “No es otra canción de amor”.
Nathy Peluso at the Movistar Arena.
Peluso, which is part of it The Argentine singer who revolutionized and exported urban musiclike Bizarrap, Duki, Nicki Nicole and María Becerra, they also know how to handle salsa and funk style. A provocative and exuberant genre that very well defines her character and allows her to express herself vocally. These wings associate them with chulería and rare abduction, which recover to de Little Rodriguez.
“You’ll be surprised by the song that I’m so vulnerable to the script and no one notices,” the artist said in a podcast a few days ago. Y, he is right because he was it is virtually impossible to detect the peak of danger in his performance: Neither the sound that failed, nor the sound that didn’t fail, changed the feeling that everything was under control during the hour and a half concert.
On The minimalist set design – just a blue shadow, a change of clothes, three dancers and a band in disguise on stage – seemed appropriate for a maximalist artist like her, capable of filling the stage with her stage presence, a very theatrical presence.
A concert where there were no surprises or great collaborators — no appearances by C. Tangana, Ca7riel or Paco Amoroso, although Santana’s son Lua sang “Menina” — but he needed to see that Peluso was right.
I took one of the few breaks in the dizzying concert to tell the audience that they were “sitting on their illusion” and “they’re safe in this beat.” Shortly after, he sang “Mama me dio un talent, nací para ganar”.
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