Pruning the rosebush: Karim Aïnouz is disoriented by the path he took to Yorgos Lanthimos (**)

The film dramatizes the perversion of the idiot ricos following the classic “Hands in the Bags”. On the other hand, Finland’s Hanna Bergholm persists until the end in her portrait of the terror of motherhood in ‘Nightborn’ (**) and the French-Senegalese Alain Gomis completes a vibrant and very challenging study of colonial identity in ‘DAO’ (****) Read

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