In 2024, during the good challenge brat summer, Charlie lemon green mundane. According to her, the singer found the traditional form of exploitation of her brand, heterodox and desaturating.
En MomentCharli’s fictional version accepted: the rest is a spiraling down to the lowest depths of commercializing your identity, always in the name of art.
Artist Take your time and enjoy the cinemaand at the last Sundance we joined Natalie Portman and Jenna Ortega in their satire of the art world Galleristas in Gregg Araki’s new film, i want your sex.
Fetus Moment was born when Charli wrote a postcard to her boyfriend Aidan Zamiri, also a music video director 360: “It was a text that captured the completeness of what it means to achieve something for what has worked in life, but I still feel the fragility and transience that can be,” he explains in the presentation of the project.
A complex system of gears with mercantilist ends emerges over the uncertainty and attachment to the escape of one. Moment looking straight ahead agents of the musical Sello (led by an impatient Patricia Arquette), experts in the field that Charli quickly overcomes the effects of anxiety, a very funny makeup artist – and a lot of desaprochada – in life with humorist Kate Berlant and so reverse blood seamstress willing to share the result brat.
Bromeaba at Sundance: “This final picture is as controlled as what the public sees, but before it comes, there’s a huge sequence that’s a bit of chaos. There are stupid ideas being proposed by completely confused people who have no idea who they are as artists. Brands come into the room and propose completely absurd concepts. Here’s what you’re thinking: How did so many words in a chain get into my nostrils?”
Charli XCX doesn’t want to hear anything
More in the middle than at the center of the universe she summons, Charli sets out to reunite with her only friend and creative director (filmmaker Hailey Benton Gates) and a filmmaker to direct a documentary that will be lucrative brat summer eternal truth, Johannes, sister of Señor Burns disfrazado de youth.
Interpreta a esta bandera roja con patas un Alexander Skarsgård pletórico, en palabras de la música: “Una persona que cree saber de qué va el mundo, aunque no entienda nada”. Y admitía: “Todos hemos conocido distintas versiones de ciertos personajes de la película, pero ¿están basados en personas reales? ¡No! Legalmente, ¡no!”.
Puede que The Moment no destripe la realidad con nombre y apellidos, pero sí hay una verdad palpable en los momentos de máxima ansiedad bajando por el esófago de la industria musical. Es muy real la luz de gas de determinados jefecillos con ideas, coartando sin mala intención alguna, también el carácter pijo-juguetón de los cameos de Rachel Sennott y Kylie Jenner, vistiendo cómodas los prejuicios que sobre ellas se arrojan.
Incluso resulta real la interpretación aturullada de Charli XCX tratando sin éxito de dibujar un viaje emocional concreto ante la cámara espitada, opresiva y temblorosa de Sean Price Williams, el director de fotografía habitual de los hermanos Safdie. Y las perogrulladas argumentales que en este clima ansioso vayan emergiendo –que no son pocas–, bajo la lógica cien por cien brat del “es lo que hay”, no serán nada más ni menos que eso: entretenimiento autosuficiente y despreocupado.
Una boutade repleta de estrellas
Karim Aïnouz es uno de los grandes nombres del cine queer brasileño contemporáneo tras Praia do futuro y Motel Destino, pero en su faceta comercial (La última reina. Firebrand) no parece encontrar un registro en el que ubicar su escritura dolorosamente colorista e hiperbólica. Prueba fehaciente de esta escritura autoral gratuita o provocación por sinónimo “pollo sin cabeza” es la extravagante Rosebush Pruning, que adapta libremente el debut cinematográfico de Marco Bellocchio, titulado Las manos en los bolsillos (1965).
There is not much that can be described in relation to the plot that he imagines under the direction of regular collaborator Yorgos Lanthimos Efthimis Filippou: in an opulent house in a Catalan camp, the actors who play Jamie Bell (Unknown), Calum Turner (Fantastic Beasts and Where to Meet Them), Riley Keough (Jay Kelly) and Lukas Gage (Euphoria) channel your quiet days by focusing on your eccentricities every now and then, dejan hervir incest sexual tension and violence is a significant coexistence for power games.
Mientras tanto el padre de la familia (Tracy Letts, el padre de Mujercitas) lives a second life marked by the absence of his wife (Pamela Anderson, sharing scenes with Elena Anaya), who was swallowed by one of his salvaged lobes before he died—or so they say—I left him blind when I looked at him with his white teeth.
When Ella Fanning It presents itself as the new couple of Jack (Turner), the balance that the camomile mayor has given to the family, filled with dance and therefore a series of provocations brought by mere surrealism: happy moments with pasta from people, horse rides heading into the abyss and generally disturbingly controversial figures to illuminate eccentricity.
He inherited, as he claims, virtues The discreet charm of the bourgeoisieKarim Aïnouz’s story will be a very different film. Here, however, the whole world could march home on demand, and we would find a more relevant conductor than the Machaconian narrative.
Elle Fanning, Jamie Bell, Riley Keough, Callum Turner, Tracy Letts and Lukas Gage in “Rosebush Pruning”. Photo: Felix Dickinson
Don’t get carried away by this trope of sweet and darlings who can find bits of sentiment in anything interesting you see, whether it’s genuinely funny or exciting.
in tone Pruning a rose bush apuesta in the middle distance i watch drama and sad satire Lobsterbut it’s between this farcical wine shop and the tragic destiny that comes between the bloody family laces it only takes the most absolute and frankly disgusting blackness.
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