the Marvel superhero who wears the colors of Hollywood

At the moment, the audiovisual department of ‘The House of Ideas’ has developed a catalog of TV series for Netflix, starring a number of B-series comedians – the barrio variant of the cosmopolitan version that represents Tony Stark and company – such as Daredevil, Jessica Jones, Punisher, Luke Cage or Iron Fist.

Note that the story structure is identical: origin stories followed by individual adventures that end with the creation of a group, in this case Defenders (Douglas Petrie & Marco Ramirez, 2017).

WandaVisionthe first television series produced by Disney+, was a very different thing, and not only because it will be integrated directly into the hypercoded universe, which will return as the protagonists of the two The Avengers as Bruja Escarlata (Elizabeth Olsen) and Vision (Paul Bettany), so without the haircuts that followed the peripheries of this superhero marriage, their biographies were significant and reached a new age in which they are ready to embark on new adventures.

Miniseries created Jac Schaeffer was primarily a return home to television and more specifically to sitcom of all time, from now on The Dick Van Dyke Show (Carl Reiner, 1961–1966) Fr Embrujada (Sol Sacks, 1964-1972) a Problems are growing (Neal Marlens, 1985–1992).

But more at the end of the tutorial connoisseurs and from its confidence, the series suggested a collision between two worlds: cinema and television (a game with formats, of course), but also reality, as it crossed the Marvel universe against the one created by Bruja Escarlat to keep the vision on its side.

Television series, and especially sitcoms, in presentation a happy and stable Arcadia facing the tensions of the real world which will not keep you waiting long and come to the extropearnos of our small and artificial home paradise.

After a series of failures that completely abandoned the line started by Schaeffer – de Falcon y el The Winter Soldier (Malcolm Spellman, 2021) a Iron heart (Chinaka Hodge, 2025) – league Wonder Mancreated Ondrej Guestone of the main guides Commonwealth (Dan Harmon, 2009–2015) and director Destin Daniel Crettonanyone familiar with the Marvel production Shang-Chi and the Legend of the Ten Rings (2021), and who is responsible for the film can never be sufficiently identified Lives of Grace (2013).

Guest and Cretton revisit the character created in the 1960s by Don Heck, Jack Kirby and Stan Lee and bring it into a very specific present. Simon Williams (Yahya Abdul-Mateen II) is an aspiring actor who has extraordinary knowledge.

A guy like Lee Strasberg got kicked out of the Actors Studio in the middle of the night. He is one of those performers who wants to know why their characters walk a certain way or what the motivations are that make them read a book that is based on the message of the story, even if it only has a line of dialogue on paper.

The television series Cretton and Guest sits at the fertile intersection that lies between life and interpretation

Simon Williams is indeed a serious contender for the fracas medal. Wait until Trevor Slattery appears in his life (Ben Kingsley), who will be known to all those who frequent the MCU as ‘The Mandarin’, which is what actor Chichinabo became after meeting scientist Aldrich Killian (Guy Pearce), who negotiated to pass it off as a terrorist Iron Man 3 (Shane Black, 2013) and read the story of Shang–Chi and the legend of the ten rings.

Trevor Slattery will become Williams’ mentor and their common goal will be nothing more than to make the paper hero of the new version Wonder Man which is being prepared by the prestigious European director Von Kovak (Zlatko Buric). You will encounter similarities with France (Jon Brown, 2024), although the satire was much sharper there.

However, Williams’ new master’s interests are far different, perhaps avoiding a terrorism conviction by striking a deal with the Department of Damage Control, the agency in charge of, among other things supervise people with superpowers.

But what is Slattery’s job? There is no other way to supervise Simon Williams and re-copy the tests that demonstrated that he had extraordinary powers that obligate him to keep him under control (watchers of the comics will note that Wonder Man turned out to be a villain). And that’s how Williams is an actor defeated by a superhero.

It’s better not to forget that we meet there a world that naturalized the existence of people with special abilitiespeople who are banned from working in the world of entertainment. The fourth episode (“The Gatekeeper”) is entirely devoted to the incident that motivated the use of the normative quote, an encapsulated chapter, written in black and white, which is not one of the best of the series, because it overexplains something easily understood and because it suspends the development of the story.

Cretton and Guest are far less interested in the matter action Propia of superhero stories that they decided to incorporate into the story in an industrial guise. Wonder Man e.g how Clark Kent was the main character Studio (Evan Goldberg, Seth Rogen, Peter Huyck, Frida Perez & Alex Gregory, 2025).

If they answer questions like the eternal uncertainty of interpreters, the weakness of the actors in this country is highlighted in the face of recordings of the iron production systemthe workings of auditions and castings, the ego-fueling that happens when things come to fruition, the proliferation of sequels and remakes, the feelings of guest stars, professional envy (check out Joe Pantoliano’s cameo), etc.

The series deftly and gracefully depicted a sector capable of ascending to Olympus, only to plunge into the depths of shadow in the following. Wonder Man is first and foremost in every way, and thank you the invaluable presence of Ben Kingsleywithout this professional trajectory on the person of the carecería of the entity that posed, recognition of the actor’s office that works, precisely because it did not hide its suffering.

To be sure, WandaVision has reached several levels of completion, but Cretton and Guest’s series is located in that fertile intersection that lies between life and interpretation, drawing parallels between the relationship that establishes Simon and Trevor with which they sustain their characters in the film they aspire to interpret—the tradition, the sacrifice—to show. the difficulty some actors feel in breaking away from their characterseven if it was part of a set or script.

The series consists of two chapters of a medium hour with a short flashback opening that recounts the fascination Williams feels for Wonder Man in particular and for making in general, punctuated with anecdotes that will delight cinephiles—from now on the relationship between Dustin Hoffman and Jon Voight Medianoche cowboy (John Schlesinger, 1969) which works like this leitmotif hasta desternillante broma and costa de pretty woman (Garry Marshall, 1990)–, ysa soundtrack that goes beyond a decorative or rhythmic contribution and injects new doses of meaning into the mix—play Buck Owens’ “Act Naturally,” Dolly Parton’s “The Johnny Carson Show,” or Linda Ronstand’s “When Will I Be Loved,” among others.

Wonder Man e.g simple, fast and fun series that thankfully everything that Marvel had been building up in recent years has disappeared and what has changed in the middle of the boom (Black Panther: Wakanda Forever), gastada formula (Deadpool y Kindness) and absolute disaster (Eternals, The Marvels). AND buddy movie nice, that’s it super farms are more than a blessing and so little is taken seriously of such a thing, that it can only be suppressed by comedy and mirth.