At the Goya Awards, celebrated this Saturday in Barcelona, she was a big favorite and lived up to expectations. Tras triumph en los Forqué y en los Feroz and accumulate 13 nominations – a record for this edition -, Los Domingos won the award for best film. However, Alaud Ruiz de Azú’s work was not finished.
It also won most of the important awards of the night, such as director, original director, best actress for Patricia López Arnaiz and department actress for Nagore Aranbura, but the film I got in the end was the most charming. An orphanOliver Lax, who won 6 awards in technical categories.
The Academia de Cine therefore wanted to share its legacy, albeit without a link to the previous ex aequo year. This opportunity would be worth it: we are ahead one of the best things of Spanish cinema in history.
Hubo prizes for all major competitors excepted Romeria Carla Simón, who failed to materialize any of her six options. No need to enjoy a big Catalan night in Goya, no need to play at home.
Yes it was Deafwhich conquered them awards for best novel direction for Eva Libertad, department actor for Álvaro Cervantes and breakthrough actress for Miriam Garlo. I deserve credit for a film that explores the fears and expectations surrounding motherhood for a deaf woman
Dinnerwhich is part of the theatrical work of José Luis Alonso de Santos, if you have a better customized guide for the work created by Joaquín Oristrell, Manuel Gómez Pereira and Yolanda García Serrano.
The best moments of the Goya Awards 2026
por su parte veteran José Ramón Soroiz won Best Actor for Maspalomas. “It’s amazing that I’m going around, I’ll never forget myself and I’ll never forget myself. the elderly people in Vasco country.”
Triumph of Los Domingos
A film by Alaud Ruiz de Azú that was celebrated the fourth woman to receive the award for best director between Pilar Miró, Isabel Coixet and Iciar Bollain follows a girl who wants to embrace the life of a cloistered woman. However, it is not really a film about life, but rather a camera that uses this premise to listen to the generational tension within a broken family.
Los Domingos note p excellent guideMoreover, it is about understanding all the characters without juxtaposing them, while the scene on the stage chooses austerity and formal elegance without being able to reveal decisive and exciting details.
The victory of Ruiz de Azú’s film suggests the definitive espaldarazo for the generation of directors associated with the author’s film where we meet names like Carla Simón, Pilar Palomero, Albert Serra, Estibaliz Urresola or the very same Oliver Laxe.
These filmmakers, who are in their 40s, are bringing up Spanish cinema at major festivals – Carla Simón took home the Berlin Golden Bear Alcarràs (2022) and the same year I received the Cannes Jury Prize and the Ruiz de Azúa, the Golden Bowl of San Sebastian – and it seems that I am beginning to discover a sensible court realism and can live for it interned in new territories. So they share such movies Los Domingos y An orphan.
This latest, directed by Oliver Lax, won awards in the categories of photography, editing, art direction, sound, original score and production direction, making it a value the enormous visual power of the film, which offers a sensory and immersive experience who doesn’t mind bothering me.
The Galician director, who is part of hija a hermana’s quest for the rampage of the African desert to offer a return trip that tells us about the human soul, has not yet reached his award season itinerary. At the Oscars, the best international and sound film will come to the fore.
Albert Serra again received the prize for the best documentary Late sunny day, defending a space in which “politicians and ideologues shock by intimidation”. It was strange to see him with such huge gafas de espejo over the script when he criticized the level of Spanish cinema on so many occasions. It seems that the electorate did not look favorably on them and rewarded their phenomenal immersion in the bullish world, which managed to impose itself on antagonistic discourses.
Again an indicative gala
The Film Academy is this year’s entry into politics. The two speakers, Rigoberta Bandini and Luis Tosar, as assistant mayors, raised the Palestinian flag on their heads to condemn the genocide coming to Israel and, like the president of the Academy, Fernando Méndez-Leite, they also spoke about the persecution of immigrants in EE.UUU, the arrests and executions of people against Afghanistan and the bombing of Afghanistan in Iran
Patricia Lopez Arnaiz. Photo: EFE/Alberto Estévez
Also Susan Sarandon, the glamorous Goya Internacional, proved combative: “Now that the world is dominated by violence and cruelty, I look up to your president and many of your artists who work with moral dignity, and that helps me feel less alone,” I say over the script to a standing ovation.
Argentina Dolores Fonzi, ganadora of Ibero-American Goya Bethlehem, he pointed out that “the world has become a film of terror”. “I want to destroy it all, that’s it, I’m from the future,” assured the filmmaker.
Three prizes for Deaf they wanted to denounce the social exclusion that affects people with disabilities. “Empathy cannot be based on good intentions until we evaluate our own privileges,” launched Álvaro Cervantesawarded as the best actor of the department.
“Without communication we are muffled, without communication we have no respect, Without a doubt, we are a cultural mess as a society“, I said of the script by Miriam Garlo, sister of director Eva Libertad and the first ever actress to act in a Spanish film, both verbally and with language.
The most emotional moments left Goya as the best song in the documentary Flores saves Antoniowith Alba Flores singing a fragment No doubts from his father Antonio -“I promise to be happy, I will lose experience, but never, never use violence again”- y Gonzalo Suárez, defending cinematography, is the only one who can dream of deserts El Goya de Honor recorders.
Most amused was Toni Acosta, who shared the animated film and said: “That’s a while ago, we started in February and it’s March”. Although, strangely enough, the gala was one of the shortest in history, and it was possible to reduce the time of the previous one to 20 minutes.
Of course, the Galardón en animación took it Decoratedthe second that conquers Alberto Vázquez trans Unicorn Wars (2022), which places relevance in the category of a director with a talent that has no parallels in our country in the Middle Ages.
The presenters made sure they wanted to sing along to the previous show’s lines and packed the fun into the first rotation. They were unloading Today could be a great day de Serrat to organize a gala, no grace too much no charm Something that can best define the work they have done during their recent performances.
Next came Ángeles Toledano and Alba Molina who sang Lookfathers of Molina, Lola and Manuel; Ana Mena and La Casa Azul who played Doll; Bad Gyal and Arrels de Gràcia, who set about it Rumba de Barcelona, and Belén Aguilera and Dani Fernández, who performed at Extremoduro during In memoriam. Nothing was memorable.
Además, los Goya celebrate 40 years this Saturday, andso the ephemeris became somewhat of a desapercibid, limited to a series of montages that chronicled past films and gala moments.
Eventually, a gala with rhythm, but without big moments marked conflicts that speak to the world and in which the Spanish auteur’s cinematography once again presented a great moment.
Leave a Reply