Mutant is consolidating itself as a space for the creation, exploration and support of live art

Time in Mutant follows a line that insists on the contemporary scene and the body as a site of political friction and poetic writing. The theater in Valencia’s Grau district is reasserting itself on paper as the city’s center for live art with a proposal that scenic investigation and hybrid languages in light of your activity.

On February 27 and 28, a young company Las Nenas gifts Torcidxspieza que cruza performanceimprovisation, text and irreverence como forma de ask questions about dominant relationships in the body. Performers explore the desire to be and transform in a range of identities that destabilize norms and celebrate mistakes as much as possible.

Paula Romero and Javier Hedrosa they suggest higher Choreographic procedures from appropriation and copyingwhich places the body at the center of the debate about authorship and writing. Starting processes Non-creative writings y Ghost writingmovement work is oriented towards generate scores therefore, copying must be a subordinate gesture and is understood as a critical process. It will be March 7 and 8.

Captain’s candle On March 20 and 21, he joins the Valencia room and does it with Death in the clubA 45-minute solo that uses club logic as an allegorical scenario played out by electronic music. The leg takes body resistance to the limit and allows the attacks to come dance conventions through the obsessive repetition of a single movement pattern.

in April, LaLonja. El Other Fútbol plant an audiovisual day that reads football as an archive of cultural imagessocialis and identitarios. Articulated between projects and interviews, the story explores how cinema and contemporary art reframe the relationship with the called royal.

Alberto Velasco Presents May 10 Jacara of the Impossible Heartswith dramaturgy by Ruth Rubio by lyrics of the Golden Sign de Calderón de la Barca, Ana Caro de Mallén, Guillén de Castro, Juan Pérez de Montalbán and Lope de Vega. With Lucía Arestegui, Joan Galo and his own Velasco on stage, the work stretches the era’s canon to a contemporary vision that cleanses the fire of hearts that once lived from this tradition.

On May 15 and 16, the French-Spanish actress and dancer put down roots in Switzerland Mathilde Carmen Chan Invernon gifts END OF THE BELLone performance the choreography and the sound that sticks in it dominance mechanisms who inhabit microgestures and everyday language. The work explores how these minimal choreographies from the diary support larger structures.

Live music

Musically, Mutant maintains its alliance with emerging scene through the cycle Cero enducta, which articulates three quotations with artists based on different derivations of pop and sound experimentation. The concerts act as a kind of bi-monthly tasting of designs suitable for both adults and audiences.

Concert time has begun Alizz (February 21), a figure of the new Spanish pop, who presented himself on the second album Reckless behavior and the echo of the result “Callaito” directly reformulate the mixture of pop, rock and electronica.

On March 6, the room was abandoned for funk and fun underground with Stereo madnessthe Madrid band he works with talkboxsynthesizers and grooves retro filiation, as Baby bottlean artist who built a trajectory on the edge mainstream own production and cooperation in a deeper sphere.

Lorea and Rebe, two voices found in the margins of conventional pop, will perform at the concert on May 8. Lorea if you move in between surrounding and experimental pop with sounds and lyrics of an intimate register Reb it stretches the structure of a pop song until it distorts it, piling on minimal elements and details that feel theatrical.

Ensayo, error and process

Conceived as a space for developmental processes, the Zona Grisa cycle is maintained as one of the lines from which La Mutant explains its interested in opinion and error. Shows April 29th The future as a scenic workresearch project Sofia Asencio which reflects the non-linearity of time from the theatrical device.

It’s May 13th Normal casesin directing Lucia Jaén you created right now Rocio Perez y Little Iturriwhich deals with the collective discomfort faced by normalization processes. Both designs emphasize the process more than the result, preemptively reflecting the idea of ​​the scene as a space.

In parallel, the center reflects mediation with the university, cutting-edge and professional dance studios and other spaces of residence and creation, with the aim of consolidating La Mutant as a context scenic investigation to the summer escala.

It is projected on this line Mutant Documentaan initiative that will include documentation and knowledge transfer devices—podcasts, publications, stories, and workshops—to ensure continuity in the processes that flow through the room.

Between June 18 and 21, the program will take place in the current circus with Twistwhich positions circus experimentation as the culmination of a significant time for formal observation and attention to the creative process.