COMMENT. Jean-Luc Godard (1930-2022) I said what happened At the end of the run like when you write an article, you improvise on some notes. So let’s write this text and make sure it still flashes in some cities New waveby Richard Linklater, which very evocatively reproduces the true story of Godard’s 1959 film and for just twenty days, the author’s inaugural wave of modern and revolutionary cinema in Europe.
At the end of the run it was tested again in several windows, but it can be watched on Filmin or Movistar. You can see that in Linklater’s film Godard improvised in a book of scenes and dialogues your movie. Sotheby’s has listed 72 pages of these Godard signed notes for between €400,000 and €600,000. I ignore desenlations.
Only in movie credits François Truffaut appears as a guide. Claude Chabrol, recognized as a technical advisor, ensured that not only did he not advise a single day on the road until Truffaut shortly wrote a line from a non-existent guidebook.
The argumentative idea, narrated in a newspaper article, was Truffaut, yes, but the director Four coups (1959) I only tried to write a synopsis of three or four pages by which Godard organized the sequential structure of his film in his head. Godard and Truffaut, between an insulting paper from the former and an incendiary twenty-page response from the latter, broke on degastada amistad in 1973.
NUMBERS. Producer Georges de Beauregard needed the names of Truffaut and Chabrol, who had already achieved good results, to obtain financing, the help of André Malraux, De Gaulle’s brilliant minister of culture, and to attract the public.
Producer Georges de Beauregard needed the names of Truffaut and Chabrol to get financing
In the dark and tragic story of delinquent Michel Poiccard (Jean-Paul Belmondo) and young New Yorker Patricia Franchini (Jean Seberg), noted asesinato part of Michela police and because of his burning desire to get closer to Patricia and the cobra in action, Godard created two essential scenes that were not present in the synopsis: the big scene between Michel and Patricia in the hotel room and the final scene on the street.
When Alianza published in 1973, along with other works by Godard, a translation of “guion” At the end of the runa note from the editors of L’Avant-Scène Cinéma – the publisher of the “book” in France – specifies that such a guy never existed and they had to watch the film “many times in slow motion” to number it sequentially, rewrite the dialogue, and describe the plans and action.
Card originally titled “At the End of the Run”: “A bout de souffle”
This edition has been translated and recorded Miguel Maríaswhich publishes in Confluences Jean-Luc Godardthe first collection of his writings on cinematography.
BARD. En New wave Georges de Beauregard (1920-1984), el a desperado, but a loyal and intelligent producer it is possible At the end of the runincluding other films by Godard and his contemporaries Demy, Varda, Chabrol, Rivette, Rohmer and Ast de Coutard – the decisive operatic exponents of Godard’s debut as seen in Linklater’s films – and Melville, the master of many of them.
The quiz is not as popular as it used to be Beauregard works in Spain as a co-producer Death of a cyclist (1955) y Calle Mayor (1956), based on Juan Antonio Bardem, and which was subsequently contracted and installed in Paris for two years by Francisco Rabal, whose centenary we celebrate this year. Estimate that the fruit of this relationship was Marie-Chantal against Dr. Khao (1965), Chabrol’s worst film.
New wave He holds ten nominations for the Césars, which will be announced on February 26, two days before the Goyas. A Linklater movie the desperate and impoverished public was not contained in France or Spain.
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