Celtas Cortos appeals for good spirits and revitalization at the Movistar Arena in Madrid: the popular aquelarre

There are ideas that are defined by the public. In all cases, think it through. In this case, it was particularly engaging. Celtas Cortos They tomaban Movistar Arena in Madrid to celebrate specific ephemerides and followers of acudían cases as a necessity of youth. The gang cumplia 40 years above the script and what is most difficult: parties are a way of being in the world.

Four decades after their first steps, the Soletano Valley offers favorite aquariuman exercise in shared memory and fearlessly recalling the values ​​that exist today in contemporary and subversive cases: kindness, community, common tribe.

I asked him in my own way. With a request and without concessions. For example, the plan was destined for instrumental creation, which gradually developed. And how it worked a collective earthly bond. Let’s find out what their origin was and which they never kept before.

When he immediately heard “What do you want to do?”This happy legion of assistants was inside, moving from the steps to the track with a familiarity that could not tell the difference between the classics and the new. “Rhythm of the Sea” Finally, I confirmed that the night would be wide and festive, more horizontal than festive.

from the beginning Jesus Cifuentes he showed himself by this usual search. Here are some greetings from such comedians Leo Harlem, Álex Clavero or Dani Martín and office colleagues who appear in the script: no other names. A few words were spoken, and the beginning was crowned with a phrase that summed up the spirit well: “We fell for four years like that”he longed for a leader.

After reading the past, I noticed his intentions: “We must aim further than further.” oh well nostalgia was a constant ejeespecially when it is noted that just 29 years ago the recognition of the director who led an entire generation – a mythical – ‘We see you naked’– and that turned the city of Madrid into a “hugely important day”.

Quizás por eso, la sequencia encadenada de “Trágame tierra” y “Haze Tourism” I maintained the ironic and critical tone that always pervaded the group’s work. A mixture of dancing, smiles and spontaneous dancing was shared. The short films do not require participation: members consume the paper without instructions, knowing that these letters belong to them too.

One of the first moments of great upset occurred with “Cálida trenchera”interpreted together with Andres Suarez. The Galician remembered the era of ‘walkmans’ and ‘discmans’ on the streets of the college or institute where they learned this eternal education. The collaboration brought an intimate understanding of the veil that had hitherto been taking place in everything in the field of lending.

The Movistar Arena lowered the volume – something not very common in an enclosed space of this size – and listened intently in front of the respondents with a large, sustained round of applause in return.

Y llegó ‘Silence’ as an offer that dejaba people in life and every now and then I go to speed. For each theme, the violin was recorded on the basic paper in the group’s music: many songs were created as instrumentals before the lyrics and lyrics were purchased. This passage—from the music to the words—also functions as a metaphor for the trajectory of Celtic shorthands who hone their discourse without losing its freshness.

This was the central part of the repertoire, which was part of an emotional photo album. “The Story of Life”interpreted together with Rolereinforced this idea of ​​a shared biography, of small scenes that together create an identity. Tenth again general balance, even if it is recibida “The World Roars” with a mix of euphoria and calm, heartfelt from start to finish.

“We need a beautiful world”apostillable Cifuentes. A simple affirmation that met with a unanimous echo. Based on a naïve sound, the song acted as a record of how kindness can also be a form of resistance. The show continued in this reflexive line before the singer introduced himself to the band one by one, including a slide (he jumped on Alberto Garciaresponsible for the winds and protected by humor).

The plot was fixed by “Don’t worry, you have”accompanied by dancing Irish heightsshe strengthened the festive component of the concert without leaving it contained. The response was particularly intense ‘Cuéntame un cuento’sung as a generation, with high movements and a massive revue that overflowed the fence (within the possibilities of the day).

One of the most distinctly political moments of the evening was s ’emigrant’. La camiseta de Cifuentes -with blunt FUCK LED referring to the immigration service and the number of immigrants was a clear explanation of their position, but it was an introduction that ended by addressing the public: “I enjoy existence for those who seek life. We are a common tribe for the same reason.” After the provoked split, the message was met with applause and shouts of support, confirming that the Short Celtas audience is not only about singing, but also about sharing a form of being.

A critical and ironic tone followed with the help of one of my colleagues The Wizard of Oz in musical remanence. I watched myself gasp before one of the big hits of the night: ‘Mission of Time’it is taken with food Dani Martin. The collaboration acted as a bridge between generations and as an explicit acknowledgment of the tradition of Spanish pop de Gabinete Caligari in La Fronteraahí hasta hoy

The finale returned as needed. ’20. april’ rebuilt Movistar Arena en unanimous embracewhen guests, musicians and the audience sing a song that doesn’t really belong to anyone. “We were extremely pleased and excited,” Cifuentes said. “This is love. Let’s build songs with the goal of love, of feeling. It’s the jefe of our existence,” he added, giving credibility to ‘We Can’t Stop’, which will end the night with booze and emotion.

In this first quote from the film, Celtas Cortos demonstrated that he explains himself in his history not just by nostalgia, but by a real connection with his followers. With an audience that continues to find a place in their songs to recognize themselves. From where he was healed. And who, thanks to you, look at their father and observe how the presence is worth the pain. Although everything has changed and the drugs are not in it La Cabaña del Turmo.

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