he explained the fight against narcotics to the children

Let’s go, que It is the same size as the end of the front panel.

If the first order was dedicated to the leaders of the abogada César Beltrán (Hugo Silva) to save their customers of the train – know, the mocro mafia – at a time when Marbella was defined as a wild ecosystem inhabited by drug dealers of all kinds who met it in the city of Costa del Sol and the perfect climate for the next round of florecer, the story of the next six a new point of view which contrasts with smart reading.

The big heroine of the second season will be the anti-drug officer Carmen Leal (Natalia de Molina), who will launch an operation to break up the ‘los Salaos’ clan, the family that manages the Hachís operation and which represents, here yes no, Beltrán. This expansion into dual perspective causes a protection change in the organization of the message, now it will PUSH voice speech de Carmenaccompanied by our regulars and more or less extensive monologues in the room explaining to us what is going on.

It is really surprising that it weighs on what we are watching with regard to the strategies that César Beltrán will develop with such an aim to save his clients’ ass (yes, yes), the return of the brand to the house of Marbella does not apply above him: except at the beginning, to give up the legacy and at the end, to reverse it, the lawyer will not return to look fondly upon uswith such an arbitrary decision, it would be wise to avoid increasing the dose of narrative baroqueism in a story that is so overloaded.

Sea como fuere, Marbella. Expediente judicial confunde pedagogía con insistencia y ya en el primer episodio se nos explica hasta tres veces –cuando sucede, ante los padres de Carmen Leal y frente al Fiscal General y el Ministro del Interior- las dificultades y los contratiempos a los que la fiscal se enfrenta. Será una constante. En lugar de ver cómo suceden las cosas –tal y como sucedía en Gomorra (Roberto Saviano, Leonardo Fasoli, Stefano Bises & Ludovica Rampoldi, 2014-2021)- aquí se nos cuentan (y a veces también se nos muestran).

En aras de la claridad, de intentar que el espectador comprenda procedimientos técnicos complejos, todo se verbaliza de manera insistente. De hecho, la serie funciona mejor si se lee como una crónica como las que han firmado Carretero y Lezcano en tantas ocasiones. Como producto audiovisual es bastante menos satisfactorio. 

Let’s say yes, we are satisfied with your witty information on a dramatic note it seems to flutter. First of all, because the characters are built from saturation and become predictable again.

Tax – legal appeal, there can be no more circumvention of the election – It has many weak points. She is the owner of a horse that she cannot breed and that lives in a facility whose owners are on the contact list of people she wants to contact. His father, a chapado builder in Antigua, scorns the smell of corruption as soon as he enters the pantal: that his hija, fiscally valiant and shrewd, has no suspicions of his ways, and finds his piety hard to believe at times, especially as he faces harsh concerns from his dubious friends.

Furthermore, he is a lover of another game, once accompanied by another master, another element to limit his activity to the minimum that is needed. Getting all the way to organized crime the tax is too vulnerableand all this based on one of the a priori ideas created from the point of view that they were used.

It is not necessary to expand on this point, but let’s say it the guys who push the topic get to the top and miss the original results a lot (verbigracia el romance de la hijastra de César con el menor de ‘los Salaos’). The “customs” subplots, like the one involving fiscal plan reform, also help a bit, though nothing seems out of line The question is (Laura Caballero & Alberto Caballero, 2007)-.

Then there are characters who have gone through the rounds, such as Rocío (Claudia Galán), the ‘Salao’ lady who makes it, on the other hand, Tony Montana (Al Pacino) acts as a panadero. Barrio Sesamo. And when they are not histrionics, the situations unraveled, as seen in the explanation given to the other brothers – Rafa (Agustín Domínguez) and Juan (Antonio Araque) – in which if you get impact by impact and that, of course, if false, signals that there are multiple episodes.

Production of Movistar Plus + It is like the lethargy of a bedridden childone of those things you repeat every few moments in the middle of the same conversation. The use of mules and specific phrases, marking certain passages – buy a cup because the prize of the game is a “lottery”, or the fact that the abogado keeps a snake (poorly alive) in his space – is needed to demonstrate that the series contains everything chewed.

And now there are dramatic discrepancies. Infiltrating politics that places a hitchhiker and disappears from office like a gram of cocaine at an awards show (after recurring after the first three episodes). A completely random cross between a drug drop, chased by two patrols and a helicopter, with a small submarine carrying substances, almost worthy of a fleet hunting game juggled by a seeing man. A coincidence as improbable as it is necessary for the plot to proceed (not to mention the unlikely reaction of the soldiers Rocío and Juan ‘Salao’ who blamed the Civil Guard for the accident and became angry when they knew very well what had happened because they had watched the impromptu launch).

To cover these shortcomings, Dani de la Torre is marked, accompanied by Oskar Santos in the direction one or two consecutive steps. Some seem to be sacadas de El niño (2014) -there are other similarities with Daniel Monzón’s film-, other Athenaeum (Roman Gavras, 2022), with which there is a flavor of the most technical filigree to any dramatic consideration (attack on the hospital). at the end Marbella. Judicially expedient eIt’s like an imitation Rolex: the case is identical to the original, including the watch, and feels authentic if you open it and see that the movement is Laton. I say this so that anyone who happens to mention Scorsese’s name won’t be in vain.

In the finale, we move on to Natalia de Molina, the actress who carries most of the burden of the role. We will not go into questions of hundreds or similar assumptions here. We will not evaluate your interpretation. In fact, there is a problem to define it from the naturalistic register—which dominates perfection—and to define it only in the context of a thriller stylized. Pepe Isbert was one of my members Cuadrilla de los unces (Lewis Milestone, 1960). There is also a tonal asynchrony in the interpretations that does not help verbalize trauma and conflict too much (“mother who is a drug enforcement officer in Marbella, I can’t give in to the chanting of those mobsters”).

I say this, even if it seems like a contradiction, I hope so series will do well.